In Agnès Varda’s farewell to filmmaking, she declares that ‘’if we opened people up, we’d find landscapes’’. Be it the whirling pool of ocean waters, the sculpture of a wing enclosed in ice, the mellow figure of a tree covered in snow or the imponent silhouette of a black mountain, Ángeles Peña allows us to glimpse into her soul and land through her suggestive photography.


Always inspired by the sublime power of nature, the photographer grew up amongst the Patagonia mountains, bearing witness and documenting the variegated character of such landscapes. By exploring the textures, pat-terns and inhabitants that represent the skin of this environment, she is able to capture in single instants the forces that are constantly moulting and conditioning our land, as well as the intimate relationships between these objects and their contexts. Her photography seems to challenge the motionless measurements of time and space, as it reflects the busting energy of hot springs, the passing of seasons, the misty songs of the sea meeting the coast and the melting mountain waters.

By recording this relentless and inevitable transformation, Ángeles Peña portrays nature as a new born, alternative vision of what has been sur-passed through these rituals of passage: in her words, ‘’cold, water and ice are inexhaustible objects of study’’ as they are constantly transforming from one instant to the next and never preserve the same shape, pattern or form. Her project aims to represent not the landscape, wild and hostile in the eyes of man, but the path that humanity must walk to understand its insignificant role in perspective to the whole. Through her powerful landscapes, she intends to communicate how everything belongs to the rest, and to blow away their dichotomous nature by sewing together the sea and the sand, the piece and the place, the eye and the land.





